Provenance: from the library of the Royal Music Academy [Kungliga Musikaliska Akademiens Biblioteket] to its successor body, the Music and Theatre Library of Sweden [Musik- och teaterbiblioteket], Stockholm in 1981.
Description: manuscript copy of the Essercizi per Gravicembalo (K1-K30) published in London, 1738-9. 56 ff, 26 x 21 cms, single batch of laid paper, no watermark, pre-ruled with a 1cm rastrum, ten staves per page throughout. Pages numbered by copyist. Bound in mid-dark brown paper cover, binding in poor state of repair.
Front cover: library label in top lh corner ‘P-R / Scarlatti, D., / Essercizi… / K[ungliga]. M[usikaliska]. A[kademiens]. Title: ‘Scarlattis / XXX Sonater’. KMA library stamp bottom centre. Inside cover, top lh corner, shelf mark I3949.
Title page: top rh corner shelf mark in pencil ‘P-R’; top centre KMA library stamp; title ‘Essercizs / per / Clavicembalo / di / Don Domenico / Scarlatti / Cavaliero di S. Giacomo e Maestro / de / Serenissimi Prencipe e Prencipessa / delle / Asturie Re / Curarum Levamen’, copied from the title page of ESSERCIZI but without the laterally-inverted harpsichord and the garland.
Reverse title and facing page: blank. Pagination begins on verso to allow standard disposition on two or four facing pages throughout.
Copyist: single (amateur?) hand throughout. Very sparing use of rests and hand signs (six only in K24!). Pen trials on p 46. Occasional corrections, eg M cancelled on p 63 (K19, bar 3), but otherwise a largely faithful but rather inelegant copy of ESSERCIZI.
Comments: the title page is a transcription of the title page of ESSERCIZI but with a redundant extra plural ‘s’ and a misreading of ‘Asturie’ (see above). Like STOCKHOLM 4, this MS has very few hand signs and retains the original reading of the 6/4 bar in K24.
Contents:
| No | Pages | K | No | Pages | K |
|---|---|---|---|---|---|
| Sonata I | 1–2 | 1 | Sonata XVI | 51–54 | 16 |
| Sonata II | 3–4 | 2 | Sonata XVII | 55–58 | 17 |
| Sonata III | 5–8 | 3 | Sonata XVIII | 59–62 | 18 |
| Sonata IV | 9–12 | 4 | Sonata XIX | 63–66 | 19 |
| Sonata V | 13–16 | 5 | Sonata XX | 67–70 | 20 |
| Sonata VI | 17–20 | 6 | Sonata XXI | 71–74 | 21 |
| Sonata VII | 21–24 | 7 | Sonata XXII | 75–78 | 22 |
| Sonata VIII | 25–26 | 8 | Sonata XXIII | 79–82 | 23 |
| Sonata IX | 27–28 | 9 | Sonata XXIV | 83–86 | 24 |
| Sonata X | 29–32 | 10 | Sonata XXV | 87–90 | 25 |
| Sonata XI | 33–34 | 11 | Sonata XXVI | 91–94 | 26 |
| Sonata XII | 35–38 | 12 | Sonata XXVII | 95–98 | 27 |
| Sonata XIII | 39–42 | 13 | Sonata XXVIII | 99–102 | 28 |
| Sonata XIV | 43–46 | 14 | Sonata XXIX | 103–106 | 29 |
| Sonata XV | 47–50 | 15 | Sonata XXX | 107–110 | 30 |
Study the complete collated data and manuscripts in our dedicated Google Drive spreadsheet.